Maha, 12, is part of the last generation of Palestinian refugees from the Balata camp. Following a faintness from her blind grandfather, she imagines a crazy project: to make him believe that the wall of separation has fallen and that a return to his native land is possible. With the help of her friends from the camp, the young girl imagines a funny trip for him.

Momentum is the product of the mass and velocity of an object. It is the strength or force gained by motion or by a series of events. It is also what memories gain as time moves on. Twenty year after it was recorded, the course of a day resurfaces, still current today. As images are reassembled, people, places, and voices shift and cross the eye of the camera - shaped by time, but not erased by it. What does it mean to hold proof, to possess the facts, but still struggle to be believed? What is the tension between evidence and emotion ? Between what we see and what we choose to remember ? In a world where truth is no longer enough, what does it take to truly witness — and what does it mean to care for stories long after the moment has passed.
Momentum is a reflection on memory, place, and the quiet persevering strength of images to bear witness, then and still now — even when the world chooses to move on.

A Palestinian surgeon drives home after a long night shift, but little does she know that a commute through a desolate West Bank road will change her forever.

Through a portrayal of the fans of Deportivo Palestino, a dialogue unfolds between Chile and Palestine on identity and return, connecting both territories within a space of celebration, where dreaming of victory creates a possible future.

Four kids from the refugee camp in Bethlehem decide to visit the sea for the first time in their life

Free Fish is an intimate short documentary filmed entirely in Gaza during one of the deadliest years in recent history. The film follows two brothers, Mohammad and Ahmad Kaloob, separated by siege and displacement, yet bound by the sea.

Mohammad, displaced in Khan Younis with his two young daughters, fishes from the South and tries to find alternatives for the boat and net he lost in the bombing of Gaza Seaport. Ahmad, still in the North under total blockade, risks his life each morning near the Al-Shate’e refugee camp, what was once a livelihood is now a daily act of survival, the coastline is militarized, boats are shot at and hunger is used as a weapon of war.

And yet, the brothers return to the sea. They cast their nets and their memories, into waters that no longer offer freedom, but still carry meaning. Fishing becomes a fragile ritual of resistance, of connection, of presence.
The film also follows Rami, Mohammad’s teenage nephew, who lost his twin brother during the genocide and now fishes alone. Through him, Free Fish becomes not just a story of survival, but of grief, inheritance, and the quiet defiance of those who refuse to disappear.