West Bank, summer 2024. Rasheed, a video game creator, tries to raise his two sons amid Israeli army raids and the war in Gaza. At night, he creates games where mothers and fathers can no longer protect their children.

During the Second Intifada in occupied Palestine, fear, siege, and death define the reality of the city of Hebron. Moments from the past are revived through childhood memory, intersecting with the collective memory. Amid the continuity and repetition of it all, what do we remember? What do we forget?

Two brothers return to the island of their childhood, where buried secrets and heavy tensions force them to confront a dark past that connects them.

After inheriting his late brother’s camera from Gaza, Musa, a Palestinian in the Netherlands, develops the final Roll film, forcing him to face grief, censorship, and the weight of legacy.

In Gaza, Abu Anwar stubbornly runs the only fried-chicken restaurant, sticking to his one old recipe and refusing to change a thing. His son, Anwar, feels stuck in the boring routine and frustrated that his father won’t try anything new—especially with the chicken. One day, after a big argument, Anwar quits and has no idea what to do next—until he convinces his friends to try a wild plan: smuggling world-famous fried chicken into Gaza.

What starts as a small gamble quickly becomes a hit, giving people a rare taste of the outside world. Excited, Anwar tries to share his success with his father, but Abu Anwar just shrugs and doesn’t hear him. As the smuggling grows, Anwar realizes he’s putting his father’s restaurant in danger. Then the occupation shuts down their operation, crushing their little venture—but brings father and son closer, stronger, and a little wiser together.